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The reason for my obvious reluctance (despite my adoration of Apatow's brilliance) is the presence of the kiss of death that is Adam Sandler, a man who could suck the comedy out of anything.
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Fortunately in this film that's exactly what his character is supposed to do, so it all works out rather well (Seth Rogan, though, has lost weight. I mean, FFS, the whole point of Seth is that he's a big fat bloke who makes up for his weight by being funny. The film even jokes about it: normal sized men are just not funny. But, as they say, many a true word said in jest).
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But this is an altogether odd movie: thoughtful and subversive -- mean-minded, even -- rather than being all cock jokes and gentle bromance.
My friend D. liked it much more than me (in fact, he loved it). Although in truth the biggest criticism I can make of it is that, unlike every other Apatow film, there was no appearance by the Sex God that is Paul Rudd.
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Come to think of it, that's a major flaw, not even made up for by the endearing presence of the lovely Jason Schwartzman.
D-minus.
PS: I was irresistably reminded while watching this of Paul Thomas Anderson's post-Magnolia movie, Punch-Drunk Love, the only other Adam Sandler appearance that I'm prepared to concede was any good. And, in fairness to him, he was, in fact, masterful in that. See -- I always give credit where it's due!
1 comment:
The only funny part in the movie was Leslie Mann's bad imitation of an Australian accent.
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