Tuesday 16 February 2010

Design for living

It's been a difficult couple of weeks for post-War British design, with the loss of not one but two women designers who were giants. Not literally giants, obviously. That would be silly.


First to go was Lucienne Day, famous as part of the husband-and-wife team of Robin-And-Lucienne-Day, but she was a design titan in her own right.


She was a key member of the group of designers who shaped the Festival of Britain, and emerged from it as leading figures in the modern -- in her case going on to work particularly closely with the influential furnisher Heal's.


Perhaps best-known for her fabrics, she was also a key influence on her husband (whose chairs remain in use in pretty much every school and public building in the country).


She was an expert at taking simple shapes -- often from the natural world -- and turning them into almost abstract repeats. Many of them seemed influenced by artists like Miro.


The second designer to die was Jessie Tait: with a lower-profile than Lucienne, Jessie might well have been even more influential.


She was a ceramic designer, and her often highly colourful designs could be found in almost every home in the country.


Using often gawdy colours and simple motifs, she also experimented with the shapes of objects to create extraordinary sets of clashing/matching ceramics.


Sometimes she used very simple geometric designs:


Really -- very simple:


Other times she combined apparently simple designs with delicate shapes to create objects that are utterly delightful:



She'll probably be best remembered for her various tableware designs:




But Jessie has a particular place in my heart for producing a design which she decided to call "The Gay Gobbler". I am very serious now.


A magnificently perky object, here is proof of the name and her involvement:


Who could resist celebrating a designer such as her?


And maybe it's appropriate that they both died so close to each other -- throughout this period there seemed to be an almost symbiotic relationship between fabric and ceramic design.

6 comments:

cal said...

Being a child of the seventies (and a knee-jerk collector), I immediately went to ebay to see what was there. Found the gay gobbler, but it's $125, out of my range. Instead, picked up two very reasonably priced Midwinter MEDALLION Dinner Plates. http://cgi.ebay.com/Midwinter-MEDALLION-Dinner-Plate-Jessie-Tait-Stonehenge_W0QQitemZ360233315851QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=item53df942e0b Thanks for educating this ignorant American! Oh, and love the blog.
Cal from Dallas

LeDuc said...

Glad to have been of service.

nickwallacesmith said...

hi

your blog just became one of my favorites when i saw your post on 50s design

i've collected 50s glass and porcelain for 20 years and curious i recently found a whole range of blots of 50s fabric in a second hand shop - many of which remind me of those you've posted of Lucienne Day

and curiously i have an art connection with heals furniture store - they used to have a gallery on the top floor and an artist friend - eve disher - used to show there - i mention her in a post i did on lady ottoline morrell - http://nickwallacesmith.blogspot.com/2009/02/lady-ottoline-morrell-1973-1938.html

and curiouser and curiouser i recently saw and bought one of eve's paintings on ebay which had ended up in france

so will be back for more!

best, nick

LeDuc said...

Welcome, Nick!

Although I must say that your blog is very splendid indeed...

nickwallacesmith said...

hi LeDuc

thanks but i suspect my blog is all smoke and mirrors, he said perhaps a tad modesty

i'm particularly interested in your interest in trains and the railways so will be spending some time serious browsing yourr posts

and hope to bump into you round your blog again

best, nick

Paul said...

I found a complete Coffee Set of Mexican Garden in a Brighton 'junk' shop - £15.